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I don’t know how often it happens, but for the last two fall seasons (2020 and 2021), the shoreline of Abraham Lake floods, submerging these aspen trunks in the lake’s pristine blue water. Last fall, Adam Gibbs and Jeremy Jackson shared some incredible imagery of this phenomenon, and I knew that I needed to try and see this for myself.
Fast forward to this fall; my Rockies fall photography was fast approaching. Work had been busy all summer, and I wasn’t even sure if I would get to go. But my wife knew that, mentally, I needed a photography getaway. She convinced me to book a camping spot in Banff with an old friend for a weekend trip to hike, camp, and do some landscape photography.
We planned some great hikes, and I had a couple of sunset photography goals, but Abraham Lake was always in the back of my mind. I spent some time on social media in the days leading up to the trip, monitoring conditions at the lake. It was difficult to tell which photos were from this year and which were reposts from last year, but it seemed like at least part of the shoreline had flooded again.
We took a chance on our first day there and took the two-hour trek up to Abraham Lake. As we approached the lake, we could tell from the highway that some flooding had occurred. As we got out of our parked car and began walking along the shoreline, it became quickly apparent that I was at the wrong part of the lake. There were flooded aspen trees, but they were behind a lot of brush and, without waders, there was no way I was going to get to them. Disappointed, we trekked back to the car. It dawned on me as we walked that we could explore further down. I had enjoyed photographing the aspen further down the shoreline during the winter and thought that, because the lake was lower in terms of elevation there, that we might get luckier. Because we had my friend’s car, we had to hike in, but as we explored the shoreline, it was quickly apparent that we were in the right spot, and I made a couple of my favourite photographs of the season.
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Acrylic Facemount Prints offer unrivalled clarity and sharpness with vivid colours. Your image is first printed to a metallic paper that offers extra pop, then 1/8″ thick Cast Acrylic is reverse face-mounted using crystal clear OptiTac adhesive that provides permanent and invisible adhesion. Each piece is then backed with 1/8″ thick aluminum Dibond which offers superb rigidity with all hanging hardware attached to the back. The result is an unmatched piece of art that has a contemporary feel with striking visual depth. This is the premier presentation for my photographs that bring detail and colour to life in a way that traditional presentations cannot.
Representative only. Each piece will come in various sizes that depend on the image orientation and resolution.
24″x36″ – $880
32″x48″ – $1,350
40″x60″ – $1,975
Fine Art Metal Prints are a fantastic budget-conscious choice that preserves high details and colour rendition without sacrificing on quality. Your artwork is printed onto subtle metallic white film with a 4mm UV laminate with a very subtle texture. These prints offer good sharpness, detail, and colour precision. Metal Prints produce vibrant colours and come in a matte, low-reflective finish, making them ideal for areas of the home with lots of ambient light. Lightweight and durable, the edges are finished square and smooth for a sleek, modern look and come ready to hang.
Representative only. Each piece will come in various sizes that depend on the image orientation and resolution.
24″x36″ – $680
32″x48″ – $950
40″x60″ – $1,400
